Endzeit x SF Art Week: Official Closing Event | January 22 - 24, 2027

Endzeit x SF Art Week returns for a second edition at the SF Mint, SoMa. As in 2026, the program unfolds over three days + nights of fine art and experimental electronic music.

Iranian multimedia artist Kamran Sadeghi presents the US premiere of Loss Less, an audiovisual work recorded inside a defunct nuclear cooling tower. The piece premiered at the Louvre, Paris, and was later shown at HKW, Berlin. This will be the US premiere of the ambitious AV project.

Following Stochastic Drift (2025), a Pitchfork Best New Music selection, British artist Barker installs Discrete Ensemble: a living sound sculpture in which non-amplified string and percussion instruments treat the room as a compositional element. The work debuted at the Neue Nationalgalerie, Berlin, in 2024.

Rrose returns to Endzeit x SFAW with a series of photographs printed on aluminium, tracing the microscopic, flowing structures of biomes across the world. A live set extends their approach to experimental synthesis, developed over three decades of practice that include studies at Mills College, Oakland.

A defining figure in avant-garde techno since the early 2000s, Mike Parker premieres a commissioned series of 24 large-format serigraphs, alongside a live performance built on his unmistakable synthesis language.

Anna Tskhovrebov curates a series of AV installations and performances by local and international artists. After graduating from Stanford's computer music department (CCRMA), she joined Studio Robert Henke in 2018, leading AV for CBM 8032 AV: five restored Commodore computers from 1980, networked into a live audiovisual instrument. Tskhovrebov designed graphics & sequencing, with Henke performing; the work has since been presented at CTM Berlin, the Barbican in London, Triennale in Milan, and more.

Images:

Kamran Sadeghi: Loss Less

Mike Parker: Untitled Figure 1

Rrose: Desert

Anna Tskhovrebov: CBM 8032 AV