Johansson Projects

Johansson Projects

Gallery
Image

2300 Telegraph Avenue, Oakland, CA 94612
Uptown Oakland

Open Hours:
Saturday, January 18 |1:00 PM - 5:00 PM
Sunday, January 19 | Closed
Monday, January 20 | Closed
Tuesday, January 21 | Closed
Wednesday, January 22 | Closed
Thursday, January 23 | 1:00 PM - 5:00 PM
Friday, January 24 |1:00 PM - 5:00 PM
Saturday, January 25 | 10:00 AM - 11:00 AM, 1:00 PM - 5:00 PM
Sunday, January 26 | Closed
Special Events:

Saturday, January 25, 10:00 AM - 11:00 AM – East Bay Art Day Exhibition Tour with Artist Nicole Irene Anderson.

Meet and walk through A Tangled Coexistence with the star of our booth at FOG last year and current exhibiting artist, Nicole Irene Anderson.

Johansson Projects presents A Tangled Coexistence, an exhibition by the Northern California-based painter and draftswoman Nicole Irene Anderson. A Tangled Coexistence is Anderson's first solo show with the gallery and invokes the tradition of landscape painting to explore questions of land, home, and the psychological impact of expansion in California.

Anderson’s tautly constructed drawings and paintings of atomized, flattened landscapes and desolate suburban streets are exquisite scenarios of unease. Deploying her accomplished formal language — exacting, deliberate, dry — Anderson composes essential works charged with feeling and moral complexity. Working from equal parts memory, observation, and invention, Anderson lays siege to our nerves with plausible realities haunted by anxiety and loneliness yet shimmering with the phenomenological glint-glare of light.

A native Californian, Anderson draws from the greed and violence of western expansion, the cool appraisal of our stewardship of land, our elaborate rationalizations and dependence for everything on somebody else, and her empathy for what land both offers and requires of us. Her scope for action is nourished by delicately nuanced drawing and the painter’s belief in the power of form. Weaving in and out of diverse perspectives like strategic lane changes, Anderson’s works explore the intersection of the specific and the abstract. Her itinerary lands the viewer in the immersive space of the world’s core, where the horizon is lost or abandoned, where the body stops, and reverie begins. Devoid of human presence, Anderson’s thinly brushed works implicate the spaces and elements beyond the limits of the scene itself, leaving you alone to speculate on transformation and presence, and to let memory speak.

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